Idiya Mykolaivna, 89, stands near the bloodstain of a young soldier who was killed in the apartment adjacent to hers during a Russian attack on the apartment building where she lives.

Trucks are used as roadblocks in the city of Sloviansk, where many residents have fled due to the war.

Volodya Deinga, 73, wanders through the ruins of the community center where he worked as a film projectionist in his youth.

Ukrainian police investigate the killing of civilians, discovered following the Russian army's withdrawal from territories it occupied in the Kyiv region.

A woman waves a white flag while fleeing from Russian forces.

Valeria Grabovaya, her two children, and her best friend's children, who fled Odesa, Ukraine, together on their way to immigrating to Israel.

Surgery at the Israeli field hospital established in Ukraine at the beginning of the war.

War refugees who fled Ukraine find shelter at the athletics stadium in the city of Chișinău.

​

A demonstration of support for Ukraine, protesting Russia’s invasion of its territory.

A demonstration of support for Ukraine on its Independence Day, protesting Russia’s invasion of its territory.

Protesters outside the Russian embassy demonstrate against the war in Ukraine and against Russian President Vladimir Putin.

Naftali Bennett, the Prime Minister at the time, welcomes Jewish orphans from Ukraine.

A protest installation outside the Russian embassy in response to the rape of Ukrainian women during the war.

A fortified and deserted Odesa.

A makeshift refugee camp established by Polish volunteers for Ukrainian women and children fleeing the horrors of war.

Edward Kaprov, a Soviet-born Israeli photographer, documented the Russia-Ukraine War using the wet-plate collodion process (photography on fragile glass). This technique mirrors that of British photographer Roger Fenton, who documented the Crimean War (1853–1856)—the first war ever captured through photography. While Fenton relied on a horse-drawn carriage as his darkroom, Kaprov utilized a Ford Transit converted into a mobile laboratory. This early photographic method cannot capture the "decisive moment," yet it powerfully conveys the feeling that the nature of war remains unchanged throughout history