
Photography: Avi Rokach, Yedioth Ahronoth
Local Testimony 2019
Gallery
2019
Photo of the Year | Series of the Year | News | Society and Community | Religion and faith | Nature and Environment | Sport | Urbanism and Culture | Long Exposure | Video
LOCAL TESTIMONY 2019
Dana Wohlfeiler-Lalkin, Founder and Director of Local Testimony
Local Testimony, the annual exhibition of photo-journalism and documentary photography, has been held in Israel since 2003, alongside the international photo-journalism exhibition World Press Photo. Local Testimony grants a platform to local documentary photography, expresses its cultural qualities and demonstrates its social significance; this is professional photography that displays the complex aspects of the regional situation, which do not always receive sufficient exposure in the popular media.
Alongside images documenting the prominent events this year - the tempestuous election campaigns and the Ethiopian community’s protests - many of the images in Local Testimony 2019 seem to be evidence of a burning issue of another kind: global warming, a world-wide process advancing at an unprecedented rate. The works dealing with this issue from a local angle are exceptionally powerful and comprehensive. Whether or not the photographers were motivated by a commitment to raise awareness of the issue, we, the viewers, understand the context. The climate crisis is totally with us.
Eyal Fried’s superb Series of the Year and Doron Nissim's moving series of landscapes document human influence on the environment; Alexander Bronfer’s poetic Dead Sea series reminds us of the threatened disappearance of this unique natural treasure. Alongside these works appear other more “practical” images, such as Bea Bar Kallos’ straightforward work presenting a situation where plastic has become a threatening force. And finally, Yasmin Lahav’s lyrical series skillfully and sensitively displaying the plants that she collected in the forest near her house, which according to forecasts of the climate crisis is liable to disappear, or at the very least undergo a significant transformation.
Like a seismograph recording and documenting the strength and location of an earthquake, in this exhibition the documentary photographers depict for us the movements and transformations taking place beneath the surface. These are environmental, social, and other processes caused by changing reality.
I would like to thank the photographers for their important and excellent work, and the jury for the complex efforts at every stage of the judging process from the first steps to the fascinating final discussion when selecting the photographs to be included in the exhibition. The exhibition is here due to your loyalty and hard work.
TESTIMON, ART, AND WHAT'S IN BETWEEN
Eldad Rafaeli, curator of Local Testimony 2019
Over the years the Local Testimony exhibitions have proclaimed their commitment to ethical values side-by-side with aesthetic codes of documentation and investigation.
The contemporary age has brought about a change: the central communications media have ceased to be the principal source of authority mediating reality, and the smartphone has conquered the world. Today the masses are the ones documenting reality, and at the same time the heroes of the story. We live in a world where there is no longer a single central reported truth. “Fake news” is back in the headlines.
These changes have compelled photographers to go back to where they started from and ask: Is there a single reality? A single truth? These questions seem to have led photo-journalists to redefine their role: from agents mediating reality to photo-artists expressing a human, principled, social, aesthetic, political and investigative stance.
Hundreds of photographers submitted thousands of images to the contest. In curating the exhibition I have tried to create a new narrative based on the jury’s selections, moving from documentary to artistic viewpoints and making connections between them; a kind of axis forming a link between the outstanding works by the 71 photographers selected to participate in the exhibition. This narrative reflects a complex reality while at the same time provoking thought about this new field - the domain on the borderline between photo-journalism and art - a domain formed by the interpretation of each photographer and artist participating in the Local Testimony exhibition. The artistic approach expands and refines the discussion about truth and time. The contexts of the different works and their interconnections reflect a level-headed, personal, profound and creative look at Israel in 2019.
Photo of the year
Ofer Vaknin
Haaretz
Avigdor Lieberman, leader of the Yisrael Beiteinu party, at the presentation of his party’s list of candidates for the second election campaign of 2019. In the first elections of the year Yisrael Beiteinu held the balance of power.
Expo Tel Aviv
30 July 2019
Series of the Year
Independent photographer
Eyal Fried
The influence of humans and their actions on the local landscape. An examination of the aesthetic created around human activity, and the damage to the landscape and nature by the side of the road.
30 July 2019
Expo Tel Aviv
News
1st prize
Series
News
Rami Shlush
Haaretz
On June 30 Solomon Tekah, a youth of Ethiopian background, was killed when a policeman fired a shot. The circumstances of the shooting are still unclear. The next day saw the beginning of a series of protests by the Ethiopian community, which included blockings of main roads in the Krayot, and later spread all over
Israel. Later on the protests became violent, leading to severe clashes with security forces and hundreds of arrests.
Krayot interchange and Tel Regev cemetery
1-2 July 2019
Single
News
David Bachar
Haaretz
The murder scene of Mahmoud Hajaj and Rima Abu Gheit, an engaged couple in their twenties. The double murder shocked the public and led to severe criticism of the Israeli Police for their long-standing failure to deal with illegal weapons, especially in the Arab sector.
Tira
31 August 2018
Society and Community
1st prize
Single
Society and community
Elad Malka
Dareen Tatour is an Israeli-Palestinian poet. She was convicted of incitement to violence and support of a terror organization in consequence of a poem that she posted on her Facebook page, among other things. After she had been in prison for five months the Nazareth District Court found her innocent of some of the charges against her, including all the charges relating to posting the poem. During the course of the trial Tatour spent about two years under house arrest.
South Tel Aviv
2 December 2018
3rd prize
Single
Society and community
Kobi Wolf
Contact Press Images
The mother of Samar Khatib, who was murdered by relations of her former partner, holding a picture of her daughter during a demonstration protesting violence against women and solidarity with women murdered during the last year.
Kikar Rabin, Tel Aviv
4 December 2018
1st prize
Series
Society and community
Bea Bar Kallos
One of the last nomadic Bedouin families is living between Bethlehem and the Dead Sea.
The children of the family, like other children, play and have a good time. But, as soon as they are able to run, they have to perform domestic chores like guarding the animals and helping with the housework.
Judean desert
November 2018 - August 2019
Religion and Faith
3rd prize
Series
Religion and faith
Yariv Fein
Avia Ashkenazi, a transgender woman who made Aliya from the USA, was enlisted in the IDF, became religious, and lives today in Jerusalem. The series attempts to convey the physical and spiritual transformations of Avia’s life. (Styling: Shai Ben Zvi)
Old City, Jerusalem
July 2019
Nature and Environment
2nd prize
Series
Nature and environment
Yasmin Lahav
An artistic view of nature. Once a month the photographer gathers a variety of plants growing in the forest next to her neighborhood in Kiryat Tivon, arranges them in a bowl of water and photographs them.
The series documents the variety of plants in the forest and the transformations they undergo during the course of the year.
Kiryat Tivon
January - August 2019
Single
Nature and environment
Bea Bar Kallos
Plastic, in its various forms, constitutes a significant portion of our life, but it degrades very slowly and causes severe damage to the environment. Recently, the way we perceive it has changed: no longer an easy-to-use material, but a public enemy. This photo is part of a project in which families were portrayed surrounded by the domestic plastic waste they created in the course of one week.
Frank Family, Karmie
29 July 2019
Sport
Single
sport
Yedioth Ahronoth
Oz Moalem
Assaf Yasur, who lost both hands after an electrocution accident a few days before his Bar Mitzva, was rehabilitated and became a successful Taekwondo athlete. Assaf has won several competitions and is now in training for the Tokyo Olympics.
Ramla
12 December 2018
Urbanism and Culture
1st prize
Series
Urbanism and culture
Reuters
Corinna Kern
The new central bus station was opened in 1993 with the hope of improving the condition of one of the most problematic sections of the city. But instead of the modern shopping center that was supposed to take shape there, the stores’ shutters remained closed for years and the maze of passages became an eclectic mixture of neglect, trade and underground culture.
Central bus station, Tel Aviv
January - May 2019
Long Exposure
1st prize
Series
Long exposure
Independent photographer
Felix Lupa
HUMANARIUM
The photographer’s personal interpretation of the connection between humanity and the world of water and the life it contains. Individuals, couples and families arrive at the beach and enter the water, connecting to the primordial memory of floating in the womb. Some of them want to be alone, some want to connect to one another, others wish to disconnect from
everyday life.
Tel Aviv, Bat Yam and Eilat
July - August 2019
2nd prize
Series
Long exposure
Independent photographer
Edward Kaprov
Borders
Physical and psychological wandering along borders, fences and walls. An ongoing photography project that began in 2010 with digital photography, and continued with the “wet plate” (collodion) technique typical of the early years of photography. The time dimension plays a central role in the series: the old-new country (Altneuland) is portrayed today using an old photographic technique
The site of the Tel A-Saki battle, Southern Golan Heights
October 2018
3rd prize
Series
Long exposure
Gil Mualem-Doron
Present Absentees.
“Present Absentees” is a term for Palestinians who left, fled or were expelled from their homes during the War of Independence (the 1948 war). Their property was appropriated via the Absentee Property Law, and they remain as displaced persons within the borders of the state of Israel. The subjects of the photographs, former residents of the village of Lajjun, on whose remains today stand Kibbutz Megiddo
and a JNF forest, appear against a background of archival pictures of the village and its surroundings, taken before 1948.
The project was carried out during a period as artist in residence in the Umm al-Fahm Gallery.
Umm al-Fahm
April 2019
Series
Long exposure
Gilad Bar Shalev
Documentation of the elderly local population who attend the Holon Country Club, focusing on physical activity and leisure. The subjects are photographed against a white background in order to isolate them from their surroundings.
Country Club Holon
November 2018 - January 2019
Video
Noam Ben Zeev
Gray Area.
Hadas Pe’er gives first person testimony of sexual abuse, her face exposed and under her real name.
Israel
April 2019
The project was produced under the auspices of the faculty for photographic communications at the Hadassah Academic College Jerusalem
Shimon Bokshtein
Andarta.
The “Andarta” (monument) to the Negev Brigade commemorates the actions of the Negev Brigade in the
War of Independence. The monument, designed by sculptor Dani Karavan, is constructed from raw concrete
and incorporates symbolic elements connected to the Palmach and the War of Independence. The video work was filmed inside the memorial and inspired by it.
Negev Brigade Memorial
2018
Aerial photography: Damien Dufresne
Dance: Yuko Imazaike
Music: David Peretz
Director of editing: Ezry Keydar
Aftereffect: Robin Gronavall
Asaf Shafir
I Have no Other Land 2019.
There are about 200 families of Filipino origins living in Israel with no formal legal status, whose children were born and grew up here. In summer 2019 Israel began a deportation operation directed against them.
On October 6, 2019, a large demonstration against the deportations took place in Tel Aviv. Another demonstration took place alongside it in support of the deportations.
Tel Aviv Museum plaza
August 2019
Song: I Have no Other Land, lyrics: Ehud Manor, music: Corinne Allal
Asaf Shafir
Saturday Night in the Square.
In November 2016 the first demonstration was held protesting against government corruption and the conduct of Avichai Mandelblit, the Attorney-General of Israel, with respect to the investigations into charges against Prime Minister Benjamin Netanyahu. Since then there has been a regular demonstration held there every Saturday night.
Petah Tikva
November 2016 - August 2019
The project was produced under the auspices of the faculty for photographic communications at the Hadassah Academic College Jerusalem
Tamar Keren
Open Account.
The Memorial Day ceremony at the Armored Corps Memorial Site. Gal Roitsztein has suffered from complex PTSD since his military service. The Ministry of Defense has not agreed to recognize him as a disabled IDF veteran, and he is engaged in an ongoing struggle with the authorities.
Israel
March - May 2019
Camera 2: Nir Shaharabani
Roee Edan, ynet
The March of Return.
On March 30, 2018, a series of demonstrations began in the Gaza Strip near the border with Israel. The Palestinians call these demonstrations “The Great March of Return”.
Gaza border
2018 - 2019















































































