
Photography: Ariel Schalit
Local Testimony 2014
Gallery
2014
Photo of the Year | Series of the Year | News | Society and Community | Religion and faith | Nature and Environment | Sport | Urbanism and Culture | Long Exposure | Video
LOCAL TESTIMONY 2014
DANA WOHLFEILER-LALKIN, INITIATOR AND MANAGER OF LOCAL TESTIMONY
Local Testimony is an annual exhibition of photojournalism and documentary photography. The exhibition has been taking place in Israel since 2003 alongside the international World Press Photo exhibition. Local Testimony provides a framework to express the cultural importance of documentary photography, demonstrating its social significance through local photographers. This form of photography manifests a complex facet of human existence, which does not receive full exposure in mainstream media.
As the second decade of the Local Testimony exhibition commences, the field of photojournalism and documentary photography finds itself in a complex situation, which beckons a professional reconceptualization. Almost every person in our contemporary society owns a camera, and security cameras never cease to document every single movement. The printed and online press take their photographs from any source who happened upon the scene of the event, and professional documentary photography no longer functions as the exclusive source. Therefore, we have decided that Local Testimony 2014 will mark the beginning of a process, which will express a shift in the
structure of the exhibition and emphasize the unique narratological dimension that is embedded in professional documentary photography. We conducted meetings with colleagues and professionals from the field in order to elaborate and refine an accurate reading of the situation, and articulate together the possibilities for change.
The principal concept we developed attempts to expand the curative work alongside the choices of the jury, in order to shift the spotlight to both the manner in which the documentary photographer tells a story and to the subtle social craft that constitutes the condition for his creation. Thus, alongside the pictures chosen by the judging jury, Vardi Kahana, the curator of the exhibition, will showcase photographers, whose work elaborates the expressive spectrum of photography, sheds light on the discourse between journalism, documentation and art, and emphasizes the artistic values of professional documentary photography.
This program was put into action until the beginning of June, and we hope to fully realize it next year, since the painful chain of events in the beginning of the summer of 2014 that have led to a war in Gaza, dictated another agenda for us. These events led the curator to focus on the events of the war, presented under the title of "Summer 2014."
Since 2009, Local Testimony has found a permanent residence and a loyal partner in The Museum of Eretz Israel, Tel Aviv.
Every year, the Local Testimony editorial board renews and updates the every aspect of the exhibition’s creative process. Every two years, different individuals function as the jury, and as the curators, thus making it possible for the process of choosing the winning photographs to express a diversity of voices and a variety of perspectives.
My gratitude to the jury panel for their devoted and complex work within the framework of Local Testimony 2014. Moreover, I would like to use this space to reiterate my gratitude and deep appreciation to our partners in work, the jury teams, the members of the editorial team and the curators of the exhibition throughout the years, and especially the photographers who submit their work every year, thereby making the continuation of this exhibition possible.
POINT OF VIEW
VARDI KAHANA
The summer war of 2014 lasted two and a half months. The media, in all its diverse forms, exposed its viewers and readers to gut-wrenching images: the three mothers praying for the safety of their three abducted sons, three weeks of searching, the communal funeral for the teens, the revenge in the name of which Jews murdered a teenager from Shu’afat, the following riots in East Jerusalem, the thousands of missiles fired from Gaza, parents
lying on their children in the middle of the street to shield them from the rockets, aerial photographs of bombed targets, and ground forces entering the Gaza Strip, marching, inwards, to the front line.
And at the heels of this mass of images, photographs of the military funerals started to appear, accompanied by the pages of newspapers, which like the Command-Order #8 (order for wartime reserve duty), were filled with a fixed and familiar pattern: a headshot of a young man flashing a white toothed smile, and a hundred words trying to summarize his world.
Sixty seven military funerals and five civil funerals. We gathered together in our grief.
The gut-wrenching pictures from Gaza came in late, parsimoniously mediated by the foreign press. The IDF did not grant the Israeli media access to the front line, as the media, on its part, followed the national "public diplomacy".
At the same time, the Hamas’ speaker nudged the foreign photographers towards his own goals. The rocket launchers, placed between the homes, were only exposed after the reporters returned to their own countries, and between the tens of photographs of the dead bodies and wounded individuals not even one member of the Hamas could be found; they were all civilians…
Thus, we have become numb to the images of targeted killings. They flickered on the screen in black and white clips as if they were computer games, and our hearts turned to stone in the face of the pictures of the overcrowded morgues in Gaza, the devastation of wiped out neighborhoods and the hundred thousand of displaced Palestinians.
The media does not possess the stamina of the cultural critic. The critic will examine the chain of events through the perspective of time, and will attempt to mark the mechanisms of power and the generators of perception intertwined into these mechanisms. The press is instantaneous by its very definition. Our contemporary culture with its myriad channels, networks and news, which spread information, have completely changed the rules of the game, fashioning an even shorter response time to events.
The media has lost its balance in favor of instant gratification, and is therefore exposed, in its weakness, to the manipulations of the territory’s governing speaker, be it the speaker of the IDF or the speaker of the Hamas.
The media consumer, if he is not naïve, will doubt it all.
Zachi Becker, Deputy Director General of Eretz Israel Museum, Tel Aviv
Deganit Berest, Artist and Teacher
Noam Gal, Photography Curator at the Israel Museum
Vardi Kahana, Photographer and Curator of Local Testimony 2014
Hanoch Marmari, Editor of The Seventh Eye Journal
Yon Feder, Chief Editor, Yedioth Internet
Avi Koren, Film Photographer and Teacher
Micha Kirshner, Artist and Teacher
Moran Shoub, photographer, Curator, and Member of the Local Testimony Editorial Board
Photo of the year
Yuval Chen
Yedioth Ahronoth
The girlfriend of Guy Algranati, a 20-years-old Maglan fighter, standing over his grave, surrounded by his fellow unit members, at the Kiryat Shaul Military Cemetery.
Tel Aviv, 31 July 2014
Series of the Year
Daniel Tchetchik
Haaretz
Sunburn (ongoing project). The Israeli sunlight is a hot, scorching light, sparking our deepest passions.
Tel Aviv, 31 July 2014
News
3rd prize
Series
News
Independent
Kobi Wolf
Thousands of asylum seekers from Africa held demonstrations throughout Israel, calling to cease their imprisonment in the Holot Detention Center, and demanding that the Israeli government recognize their status and their rights as refugees.
Holot Detention Center in the Negev, Jerusalem
January - February 2014
Society and Community
Religion and Faith
3rd prize
Single
Religion and faith
Freelance
Haim Schwarczenberg
A protester trampled by a mounted policeman, during his arrest at a protest against the government’s “Regulation of the Bedouin Settlement in the Negev” plan, which threatened to deprive tens of thousand of Bedouins of their homes.
Hura
30 November 2013
1st prize
Series
Religion and faith
Freelance
Kobi Wolf
With the encouragement of right-wing Knesset members and a police force escort, members of The Temple Mount and Eretz Israel Faithful Movement conduct daily publicity tours to promote the construction of the Third Temple in the most explosive place in Jerusalem.
Temple Mount, Jerusalem
January - September 2014
Nature and Environment
2nd prize
Series
Nature and environment
Flash 90
Hadas Parush
On June 2014, the agricultural terraces of the Palestinian village Battir were recognized by the UNESCO organization as a World Heritage Site. The farmers in the village irrigate their lands with spring water via an ancient channel system, stemming from a tunnel, which was carved into the mountain in the early days of the Roman Empire. The struggle to protect the terraces from the state, which plans to continue building the separation barrier in this place, led to a rare cooperation between Palestinians, settlers, and green organizations, who wish to preserve the unique cultural and historical landscape.
Battir village, southwest of Jerusalem.
Battir village, southwest of Jerusalem
April 2014
Sport
2nd prize
Series
sport
Freelance photographer
Eric Sultan
Local Wrestling. The Israeli AWO (All Wrestling Organization) wishes to import staged wrestling shows to Israel. The group from Jaffa holds a special evening once a month, in which the good fight against the bad for the championship belt.
Jaffa
29 March 2014
Urbanism and Culture
1st prize
Single
Urbanism and culture
Freelance
Tali Mayer
Youths dipping in the spring overlooking Giv'at Ze'ev north of Jerusalem. The spot from which Ein ed-Duweir springs was renovated and renamed Ein Dvir in memory of Staff Sergeant Dvir Emanuelof, who was killed during Operation Cast Lead.
Ein Dvir, Giv'at Ze'ev
6 March 2014
Long Exposure
1st prize
Series
Long exposure
Freelance
Dan Haimovich
The Namir People. The homeless community in Namir’s tent city is comprised of approximately seventy people between the ages of 25-60. Most of them have reached this place following an economic collapse or their inability to pay their rent. The living conditions in this tent city are difficult, and the residents face the daily threat of the municipal inspectors evacuating them from the place.
Tel Aviv
November 2013 to June 2014
3rd prize
Series
Long exposure
Flash 90
Michal Fattal
Haaretz
Midburn. Under the scorching sun and the stinging sand storms, a plot of desert donned colour. A temporary city sprung up in the middle of nowhere, and during five days 3,000 people came to celebrate the local version of the American “Burning Man" festival.
Negev
6 June 2014
Video
Chen Leopold
A Minute of Silence on Memorial Day.
Tel Aviv
5 May 2014
Photography and editing: Chen Leopold
Uriel Sinai
Farewell to Arik Einstein
November 2013
Director and cinematography: Uriel Sinai
Editor: Eyal Dori
Sound: Amit Ella
Camera Assistant: Oren Ziv
From: “Friday with Tali Moreono and Alon Ben-David”, 10 News










































































